Aeons: a Sound Journey for Newcastle — Great Exhibition of the North
A sound artist documentary film following musician Martin Green as he built new soundscapes for Aeons, working with singer Becky Unthank, made for the Great Exhibition of the North.
About the Film
This sound artist documentary film follows musician Martin Green as he built new soundscapes for Aeons: a Sound Journey for Newcastle, a piece commissioned for the Great Exhibition of the North in 2018. Rather than filming a finished performance, the documentary follows Martin’s process of recording and shaping sound, and captures him working alongside singer Becky Unthank as new material for the piece took shape.
Sound as the Subject
Most of my documentary work is built around people talking, making or performing something in front of a camera. Aeons asked for something slightly different: a film about sound itself, and about the quieter, more exploratory process of building something out of recordings rather than performing a finished piece. Filming Martin meant spending time in the moments before a sound becomes music, listening back, adjusting, and deciding what to keep and what to lose.
Singer Becky Unthank recording for Aeons.
Working with Becky Unthank
Singer Becky Unthank’s voice became a central part of Aeons, and filming her session with Martin gave the documentary its clearest sense of the piece coming together. Rather than staging a separate interview, the camera stayed close to the actual work of recording, watching a single voice tested against Martin’s layered soundscapes until the two settled into place together.
A Sound Artist Documentary Film for the Great Exhibition of the North
Aeons was made as part of the Great Exhibition of the North in 2018, a citywide programme celebrating art, design and innovation across Newcastle and Gateshead. Alongside the finished piece, this sound artist documentary film exists to give audiences a way into Martin’s process, showing the patience and craft behind a work that, in performance, lasts only a matter of minutes.
Filming Process Rather Than Performance
Wherever possible I like filming artists in the middle of making something, rather than filming them afterwards talking about work that is already finished. Aeons offered exactly that kind of access, and this sound artist documentary film sits alongside a wider run of films I have made about musicians, composers and sound artists working across the North East.
Planning a similar project?
I work with musicians, sound artists and cultural commissions to make documentary films about creative process and performance. If you are planning something similar, I would be happy to talk.
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